The Foundry.
Heat is the medium here. Every object that leaves the Foundry passes through a temperature it cannot remember.
Seven private houses. Forty-nine practitioners. One hundred and twelve pages of objects, drawings, and conversations — pressed, bound, and sent quietly to those whose names we already keep.
Dear member — the Quarter resumes, after a long winter at the press, with the seventh issue of an experiment we did not, when we began, expect to outlive a single year.
We have, in this number, kept to the principle that has held us since the first: nothing here is shown first. Each object that appears in these pages was made for a member, dispatched to a member, and then — with permission — photographed for the rest. The Quarter is the slowest of catalogues. It is also, we suspect, the most accurate.
The seven houses each contributed a spread. The Foundry, in its customary economy, gave us a single image and four lines of text; Wickhaven sent six paragraphs and a recipe for a tallow that we were asked, gently, not to print in full. Tidemark, the youngest of the houses and the one most exposed to weather, sent the sea.
We have added, this season, a section on Acquisitions — a small, edited list of objects available to members at the customary terms. Membership remains by invitation; inquiries may be left at the back of the issue, where they will be received in good faith and answered, sometimes, in time.
We hope the issue finds you well, and finds you slowly.
— The Editor
Fifteen entries across one hundred and twelve pages. Houses are paginated by their entry order; objects appear in the back matter.
A walking guide, in paper, to seven houses you cannot find without an introduction.
Heat is the medium here. Every object that leaves the Foundry passes through a temperature it cannot remember.
Wickhaven concerns itself with light at low temperature — the candle as a measured object, not a decoration.
We do not buy wood. We collect what the river releases, dry it for two seasons, and then ask what it wants to become.
Words at Garrick are pressed, not printed. The distinction matters to those who have done both.
Ember Yard fires three times a year. Members travel for it. Some travel only for it.
Stonewake works in negatives. Every lifted chip is a decision made and not undone.
Tidemark believes the place a thing is made determines, in some inarticulate way, what it carries.
The houses do not divide their work by trade or output. They divide it by material. A practitioner from one house may be at home in another for a season, but the medium remains the membership.
Six members in residence this quarter. Names appear with permission; some, by custom, do not appear at all.
Trained in Bristol; came to the assembly through a fellowship at the Foundry. Works in editions of twelve.
Marine engraver by training, retired from the merchant fleet in MMXX. Keeps a small library of cartographic almanacs.
Apprenticed under a Florentine binder for five years. Speaks of vellum the way some speak of weather.
Edits the annual quarto. Will not discuss what is in next year's edition before it is set in metal.
Trained as a farrier; came to the Foundry through a winter residency that ran nine years longer than expected.
Sculptor and inscriptionist. Keeps the rejected drafts of every commission and considers them part of the work.
Six new objects, in edition, available to members at the customary terms. Each ships in the second week of the quarter.
The Quarter is a private publication. Membership is by invitation, and inquiry is welcomed. The terms below are not an offer; they are a description of how things have been done, and probably will be.
Four printed issues per annum, posted by hand.
All four issues, plus admission to a single house visit.
Annual membership extended with a residency week and a private edition.